Sumi ink on reclaimed Xuan paper, mounted on Hahnemühle Sumi-e paper.
13 x 18 cm / 24 x 30 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Sold unframed
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Fragmentation N°17
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
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> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
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Headline 2–
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Headline 3–
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Headline 4–
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Paragraph 1This is a
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Paragraph 2This is a
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Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet.
Paragraph 3This is a
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Shellac ink and Nikawa on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper
40 × 50 cm ⸺ 2026
Signed + sealed with cinnabar paste
Title, year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
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Latent Green | Breath Meditation N°119
The Breath Meditation paintings are a direct result of an active meditation practice, where the rhythm of inhalation and exhalation guides the making of each mark.
This piece is part of the Sessions — an approach focusing on a single meditation, capturing one moment in time.
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> See all Breath Meditation paperworks
> See all Breath Meditation wood panels
> See all Session pieces
> Read more about Breath Meditations
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