Fragmentation N°50
Sumi ink, Nikawa and mineral pigments (Epidote) on reclaimed Washi papers, mounted on wood panel.
30 x 60 x 3 cm – 2024
Signed + stamped with vermilion seal
Year, title + catalogue number on the verso
Sold unframed
—
Fragmentation N°50
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi ink, Nikawa and mineral pigments (Epidote) on reclaimed Washi papers, mounted on wood panel.
30 x 60 x 3 cm – 2024
Signed + stamped with vermilion seal
Year, title + catalogue number on the verso
Sold unframed
—
Fragmentation N°50
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi ink, Nikawa and mineral pigments (Epidote) on reclaimed Washi papers, mounted on wood panel.
30 x 60 x 3 cm – 2024
Signed + stamped with vermilion seal
Year, title + catalogue number on the verso
Sold unframed
—
Fragmentation N°50
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
