Nikawa and mineral pigments (pencil clay, Bohemian green earth, copper blue, Verona green earth, graphite powder and iron glimmer Hematite) on reclaimed Washi and Chiyogami paper
18 × 24 cm / 30 × 40 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
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Fragmentation N°58
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach where overpainted fragments become unified wholes, echoing how memory reconstructs and reimagines what has been.
—
> See all Memory pieces
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Nikawa and mineral pigments (pencil clay, Bohemian green earth, copper blue, Verona green earth, graphite powder and iron glimmer Hematite) on reclaimed Washi and Chiyogami paper
18 × 24 cm / 30 × 40 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
—
Fragmentation N°58
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach where overpainted fragments become unified wholes, echoing how memory reconstructs and reimagines what has been.
—
> See all Memory pieces
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
