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Sumi ink, Nikawa and mineral pigments (English red and Slate Gray) on reclaimed Washi papers, mounted on Hahnemühle Sumi-e paper.
18 × 13 cm / 30 × 24 cm incl. mat ⸺ 2025
Signature, title, year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
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Fragmentation N°69
The Fragmentation works begin with discarded Washi papers — sketches, damaged drawings, and failed attempts. Cut, reworked, and reassembled, each fragment is transformed through dyeing, glazing, or overpainting before finding its place in a new composition. Drawing inspiration from the Japanese Boro tradition, the series embraces the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach in which fragments are collaged and overpainted, quietly reshaping the past into something new.
⸺
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> See all Memory pieces
> Read more about Fragmentations
⸺
⸺
Sumi ink, Nikawa and mineral pigments (English red and Slate Gray) on reclaimed Washi papers, mounted on Hahnemühle Sumi-e paper.
18 × 13 cm / 30 × 24 cm incl. mat ⸺ 2025
Signature, title, year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
⸺
Fragmentation N°69
The Fragmentation works begin with discarded Washi papers — sketches, damaged drawings, and failed attempts. Cut, reworked, and reassembled, each fragment is transformed through dyeing, glazing, or overpainting before finding its place in a new composition. Drawing inspiration from the Japanese Boro tradition, the series embraces the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach in which fragments are collaged and overpainted, quietly reshaping the past into something new.
⸺
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> See all Memory pieces
> Read more about Fragmentations
⸺
