Sumi ink, Nikawa and mineral pigments (Epidote) on reclaimed Washi and Chiyogami papers, mounted on Fabriano Artistico.
20 × 30 cm / 40 × 50 cm incl. mat – 2025
Signature, titel, year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
—
Under A Quiet Sky | Fragmentation N°80
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach where overpainted fragments become unified wholes, echoing how memory reconstructs and reimagines what has been.
—
> See all Memory pieces
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi ink, Nikawa and mineral pigments (Epidote) on reclaimed Washi and Chiyogami papers, mounted on Fabriano Artistico.
20 × 30 cm / 40 × 50 cm incl. mat – 2025
Signature, titel, year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
—
Under A Quiet Sky | Fragmentation N°80
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Memories — an approach where overpainted fragments become unified wholes, echoing how memory reconstructs and reimagines what has been.
—
> See all Memory pieces
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Image 1 of 5
Image 2 of 5
Image 3 of 5
Image 4 of 5
Image 5 of 5
