⸺
Retrieved Washi papers and mineral pigments, mounted on Arches hot press watercolor paper (100% cotton).
35 × 50 cm ⸺ 2026
Titled + signed
Year, full title + catalogue number on the verso
Certificate of authenticity included
Sold unframed
⸺
November Mist | Fragmentation N°85
The Fragmentation works begin with discarded Washi papers — sketches, damaged drawings, and failed attempts. Cut, reworked, and reassembled, each fragment is transformed through dyeing, glazing, or overpainting before finding its place in a new composition. Drawing inspiration from the Japanese Boro tradition, the series embraces the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Swatches — an approach in which four selected fragments are combined into a single sheet, like a chord of colors and textures.
⸺
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> See all Swatches
> Read more about Fragmentations
⸺
⸺
Retrieved Washi papers and mineral pigments, mounted on Arches hot press watercolor paper (100% cotton).
35 × 50 cm ⸺ 2026
Titled + signed
Year, full title + catalogue number on the verso
Certificate of authenticity included
Sold unframed
⸺
November Mist | Fragmentation N°85
The Fragmentation works begin with discarded Washi papers — sketches, damaged drawings, and failed attempts. Cut, reworked, and reassembled, each fragment is transformed through dyeing, glazing, or overpainting before finding its place in a new composition. Drawing inspiration from the Japanese Boro tradition, the series embraces the beauty of imperfection and the philosophy of Wabi-Sabi.
This piece is part of the Swatches — an approach in which four selected fragments are combined into a single sheet, like a chord of colors and textures.
⸺
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> See all Swatches
> Read more about Fragmentations
⸺
