Taogram N°17
Sumi ink on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper.
40 x 40 cm – 2024
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Taogram N°17
The minimal yet dynamic grid on this artwork remembers very loosely at the Kanji 無, meaning void, nothing, zero. The Taogram paintings capture the expressive gestures of the brush, embodying the flow of energy and thought in the present moment, with an approach rooted in both Shodo (Japanese calligraphy) and abstract expressionism.
—
> See all Taogram paperworks
> See all Taogram wood panels
> Read more about this series
Sumi ink on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper.
40 x 40 cm – 2024
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Taogram N°17
The minimal yet dynamic grid on this artwork remembers very loosely at the Kanji 無, meaning void, nothing, zero. The Taogram paintings capture the expressive gestures of the brush, embodying the flow of energy and thought in the present moment, with an approach rooted in both Shodo (Japanese calligraphy) and abstract expressionism.
—
> See all Taogram paperworks
> See all Taogram wood panels
> Read more about this series
Sumi ink on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper.
40 x 40 cm – 2024
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Taogram N°17
The minimal yet dynamic grid on this artwork remembers very loosely at the Kanji 無, meaning void, nothing, zero. The Taogram paintings capture the expressive gestures of the brush, embodying the flow of energy and thought in the present moment, with an approach rooted in both Shodo (Japanese calligraphy) and abstract expressionism.
—
> See all Taogram paperworks
> See all Taogram wood panels
> Read more about this series
