Autumn
Earth Pigments (dark red Moroccan ochre and Bohemian green), Nikawa and walnut ink on Xuan paper, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2022
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Morning Glory (Black Turtle) | Haiku N°4
The Lyrical paintings focus on minimal, elusive compositions, leaving much unsaid. Each piece plays with fractal forms and open representations, inviting the viewer to emotionally complete the work.
—
> See all Lyrical paperworks
> See all Lyrical wood panels
> Read more about this series
Earth Pigments (dark red Moroccan ochre and Bohemian green), Nikawa and walnut ink on Xuan paper, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2022
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Morning Glory (Black Turtle) | Haiku N°4
The Lyrical paintings focus on minimal, elusive compositions, leaving much unsaid. Each piece plays with fractal forms and open representations, inviting the viewer to emotionally complete the work.
—
> See all Lyrical paperworks
> See all Lyrical wood panels
> Read more about this series
Earth Pigments (dark red Moroccan ochre and Bohemian green), Nikawa and walnut ink on Xuan paper, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2022
Signed + stamped with vermilion seal
Year + catalogue number on the verso
Sold unframed
—
Morning Glory (Black Turtle) | Haiku N°4
The Lyrical paintings focus on minimal, elusive compositions, leaving much unsaid. Each piece plays with fractal forms and open representations, inviting the viewer to emotionally complete the work.
—
> See all Lyrical paperworks
> See all Lyrical wood panels
> Read more about this series
