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Sumi ink, Nikawa and earth pigments (Icelandic Snaefellsjoekull) on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm ⸺ 2024
Signed + sealed with cinnabar paste
Year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
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Contemplation N°30
The Contemplation works merge minimalism and introspection — rooted in Zen philosophy and Japanese aesthetics like Wabi-Sabi and Shibui, while connecting to the Western tradition of Color Field painting.
This piece is part of the Fields — an approach exploring silence, weight, and the relationship between form and emptiness, inspired by Zen gardens, geological strata, and the devotional quality of a single pigment.
⸺
> See all Contemplation paperworks
> See all Contemplation wood panels
> See all Contemplation prints
> See all Fields pieces
> Read more about Contemplations
⸺
⸺
Sumi ink, Nikawa and earth pigments (Icelandic Snaefellsjoekull) on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm ⸺ 2024
Signed + sealed with cinnabar paste
Year + catalogue number on the verso
Certificate of authenticity included
Sold unframed
⸺
Contemplation N°30
The Contemplation works merge minimalism and introspection — rooted in Zen philosophy and Japanese aesthetics like Wabi-Sabi and Shibui, while connecting to the Western tradition of Color Field painting.
This piece is part of the Fields — an approach exploring silence, weight, and the relationship between form and emptiness, inspired by Zen gardens, geological strata, and the devotional quality of a single pigment.
⸺
> See all Contemplation paperworks
> See all Contemplation wood panels
> See all Contemplation prints
> See all Fields pieces
> Read more about Contemplations
⸺
