Fragmentation N°54
Nikawa and mineral pigments (pencil clay, Bohemian green earth, copper blue, Verona green earth, Malachite and iron glimmer Hematite) on reclaimed Washi paper
20 × 30 cm / 40 × 50 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Sold unframed
—
Fragmentation N°54
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Nikawa and mineral pigments (pencil clay, Bohemian green earth, copper blue, Verona green earth, Malachite and iron glimmer Hematite) on reclaimed Washi paper
20 × 30 cm / 40 × 50 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Sold unframed
—
Fragmentation N°54
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Nikawa and mineral pigments (pencil clay, Bohemian green earth, copper blue, Verona green earth, Malachite and iron glimmer Hematite) on reclaimed Washi paper
20 × 30 cm / 40 × 50 cm incl. mat – 2024
Signed + titled on mat
Year + catalogue number on the verso
Sold unframed
—
Fragmentation N°54
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
