I-Land
Sumi ink, Nikawa and mineral pigments (English red and hematite) on reclaimed Washi papers, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2025
Signed + stamped with vermilion seal
Titel, year + catalogue number on the verso
Sold unframed
—
I-Land | Fragmentation N°64
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi ink, Nikawa and mineral pigments (English red and hematite) on reclaimed Washi papers, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2025
Signed + stamped with vermilion seal
Titel, year + catalogue number on the verso
Sold unframed
—
I-Land | Fragmentation N°64
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi ink, Nikawa and mineral pigments (English red and hematite) on reclaimed Washi papers, mounted on Hahnemühle Sumi-e paper.
40 x 50 cm – 2025
Signed + stamped with vermilion seal
Titel, year + catalogue number on the verso
Sold unframed
—
I-Land | Fragmentation N°64
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
