In Between
Sumi and shellac ink on reclaimed Xuan paper, mounted on Hahnemühle Sumi-e paper.
30 x 20 cm / 50 x 40 cm incl. mat – 2024
Signed + stamped with vermilion seal
Titled on mat
Year + catalogue number on the verso
Sold unframed
—
In Between | Fragmentation N°3
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi and shellac ink on reclaimed Xuan paper, mounted on Hahnemühle Sumi-e paper.
30 x 20 cm / 50 x 40 cm incl. mat – 2024
Signed + stamped with vermilion seal
Titled on mat
Year + catalogue number on the verso
Sold unframed
—
In Between | Fragmentation N°3
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
Sumi and shellac ink on reclaimed Xuan paper, mounted on Hahnemühle Sumi-e paper.
30 x 20 cm / 50 x 40 cm incl. mat – 2024
Signed + stamped with vermilion seal
Titled on mat
Year + catalogue number on the verso
Sold unframed
—
In Between | Fragmentation N°3
The Fragmentation paintings are based on discarded Washi papers. Reassembled and rearranged, Thoth draws inspiration from Japanese Boro techniques to create new compositions, embracing the beauty of imperfection and the philosophy of Wabi-Sabi.
—
> See all Fragmentation paperworks
> See all Fragmentation wood panels
> Read more about this series
